04 DRAWING STRANGERS 
DOC 234—34/2

spring 2022



While commuting daily from Cambridge to London, I dedicated my journey to sketching fellow travelers and gifting them these portraits. During each one-hour trip, I captured the essence of those around me—whether they were resting, working, or simply absorbed in their own world.

Drawing people in public spaces had long been a passion of mine. I was always fascinated by people, their unique forms, and how they inhabited different environments. Recently, I began documenting not only the drawing process but also the moment I presented each portrait to its unsuspecting subject, witnessing their reactions to the gift.

The limited time of a train ride added a layer of excitement and spontaneity; I never knew when someone might leave, so I worked quickly to create expressive, in-the-moment sketches. These drawings became more than simple portraits—they represented human connection. The act of giving the artwork and seeing the joy it brought added a deeply personal layer to each piece. So far, there has been no negative reaction and afterwards it feels so nice to have made someone happy- you never know what kind of day someone may have had.


Read artist feature here

*no pears allowed*


09.04.24

The "No Pears Allowed" project served as a prototype for 12hoursoup, helping to test the function and impact of the posters—a crucial element designed to draw the audience into the activation space. Each poster included tear-off slips of paper, inviting the audience to physically engage and become part of the experience. I trialed this concept at my school, inviting students and teachers to a chocolate fondue event instead of a soup. Attendees brought their own fruits to dip, creating a collaborative, welcoming atmosphere where I could explain my creative process, demonstrate the setup, and gather valuable feedback for refining the 12hoursoup project. This trial run not only tested the logistics but also helped me understand how the posters could spark curiosity and participation, laying the groundwork for a more immersive experience in the final project.


Tattoos

Permanent Passing
Tattoo on skin
Galleria Espai Souvenir, Barcelona
01.02.24






Permanent Passing is a live performance in which I taped a flower to the gallery wall and then free-hand tattooed its likeness onto the back of a friend. This piece delves into the intricate architecture of the human body and its relationship with organic natural forms.

Through the act of translating a transient natural element into a permanent part of the human body, Permanent Passing examines themes of impermanence and endurance. The tattoo becomes a living, breathing artwork, an enduring testament to the fleeting moment captured during the performance. This process highlights the profound impact that ephemeral natural beauty can have on our permanent selves, both physically and emotionally.

Permanent Passing is a meditation on how we internalise and immortalise elements of the natural world. It challenges traditional boundaries between art, nature, and the human body, encouraging a deeper appreciation of the delicate balance between permanence and transience. Through this work, I aim to provoke thought on how our interactions with nature leave lasting imprints on our identities, much like the tattoo on my friend's back, blending the organic with the human in a harmonious, lasting bond.





More tattoos


Disseny de samarreta Decameron- La Central del Raval
29.08.24